A quick look at the de Young’s massive new Keith Haring retrospective, The Political Line. Focusing on Haring’s more deliberately political works, the pieces take on consumer culture, technology, sexuality, and racism head on, and span the length of Keith’s short but prolific career.


Antwon, Andy, Andre, and the Nature gang are keeping the streets flooded


Nature World

A wise man once told me that everybody needs a team out here in these streets. And while multiple eras of major label supercrew budgets are now ancient history, the ground level DIY collectives–at least in some corners of the world and/or interwebs–are still in thrive mode. Case in point: the small family of Bay-based rapping-DJing-producing people known as Nature World.

Most prominently, Antwon’s been putting in work to secure a place as one of the most consistent left-field rappers out, parlaying mass blog love into major looks, from Pitchfork premiers to national tours. Meanwhile though, Sad Andy, Andre, Nanosaur, and the squad have been dropping off some extremely solid material, including Andre’s full-length His Majesty Obscured. Add in a Twon/Depressed Teenager remixes album, some autotune-soaked Andy one-offs, and a surge in internationally-circulated merch, and it’s been a fruitful ass month or two for Nature. Below are some highlights.

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San Francisco welcomes politically charged, vibrant works from the '80s icon this November


Keith Haring

We all love Keith for what he did for his generation, and the ones to come. The vibrancy, the color, the messages–it all came together to create a timeless aesthetic that remains relevant today. Internationally recognized as one of the dopest of his era, Keith Haring’s work has been shown the world over. Starting next Friday, a massive retrospective will bless the walls of San Francisco’s de Young Fine Arts Museum, giving Keith fans the chance to see a wide selection of rare and celebrated works.

Entitled The Political Line, the exhibition will feature more than 130 works of art, including large scale paintings (on tarpaulins and canvases), sculptures, and a number of the Haring’s early ’80s subway drawings, among other works. The Political Line opens November 8 at the de Young.





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Berlin-based photographer Madison Dinelle shares some gorgeous black-and-white stills


Every once in a while, a remarkable submission will come across our table at Wine & Bowties. Most recently, we’ve been introduced to the work of Madison Dinelle, a Berlin-based photographer with an observer’s eye and a love for documentation. Utilizing only available light, without the use of a tripod or other gear, Madison’s work takes on a minimal vibe, focusing in on illuminated objects or surfaces, while keeping some elements mysterious.

“My goal is to try to see freely,” says Madison, when referencing her approach, “[I] try to transcend the boundaries of my admittedly limited perception. It’s to attempt to see the world for what it looks like rather than what I know it looks like.” That approach is on display below, in a few highlights from her evolving body of work.

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Fresh perspectives from Toronto's next generation


When you talk about music in 2014, you have to mention Toronto. It’s a city with a reinvigorated passion for music that comes from a personal place. 19 year old Niko Chan is the latest artist from the 6 with a nuanced perspective on what it means to be yourself. “I’m very influenced by the 80’s pop sound, while mixing with dark R&B.. there’s always been an atmospherical and ambient vibe from my music,” Niko says. “I’m into the big full harmonies, personal lyrics and sampling particular lines from my favorite movies.”

Premiering his debut single today on Wine & Bowties, we present, Everybody Else. It’s a sprawling, deeply melodic cut backed by simmering vocals and a switch-up of an outro. He sampled Natalie Portman fighting with Jude Law in the film Closer for this song. Niko’s album Days We Wore Black is coming soon.

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FKA twigs collaborates with Kahlil Joseph for some new visuals

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With photos from the Pendulum video set circulating online, FKA twigs surprises with a video for a different song off her first full length album LP1. The Kahlil Joseph directed Video Girl is the latest addition to twigs’ bountiful and stunning archive of music videos. The striking video features costumes, headgear and hair styles to feast at as well as muted interjections from a bloody-mouthed Travi$ Scott. Like the song lyrics, the visual story of Video Girl sees twigs shedding her identity as a music video dancer while stepping into herself as an vocal artist. The video begins with the first track from her album, Preface, setting the scene of the execution of a man in prison. In Preface, twigs repeats “I love another, and thus I hate myself”. In an interview, she explains the line resonates with her frustrations of learning and failing at perfecting her new and beloved art form as a musician. As Video Girl continues, she cries from behind the glass as she watches a man be given lethal injection while inside the chamber, a second twigs dances diligently and deliberately then disappears along with the man’s life.

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A look inside Castlemont High School's Football team and the coach looking to transform it from within

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Oakland breeds heroes. Something tells me it’s been like that since the beginning. People just move with purpose out here. Maybe it’s in the air. The most recent independent film that’s come across our table focuses an eye on East Oakland, and more specifically Castlemont High. A short documentary that expresses the bond between sports and community, A Coach in The Kill Zone sheds an unwavering glimpse into the life of Edward Washington, the newly enlisted football coach at Oakland’s Castlemont High School.

With three years having passed since the Knight’s last win, at the ripe age of 25, Ed’s challenge is to turn the program around in the face of immense obstacles on and off the field.

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The dynamic Downtown art space welcomes a multimedia vet

Todd Barricklow

Over the last year or so, the good folks at Naming Gallery have quietly been doing some of the most consistently great curation in Oakland. Nestled in the heart of 15th Street’s lively Second Saturday strip, the gallery has hosted a rotation of artists and live music events, leaning toward cartoony and surreal visuals and imaginative, playful sensibilities.

Earlier this month, Naming opened up a solo show from the Santa Rosa-based Todd Barricklow, whose many talents include ceramics, printmaking, and metalworking, among others. Barricklow, a veteran of the local art scene, has a CV that includes everything from Peninsula galleries, to group shows in Japan, to the design of Tamarindo’s ubiquitous El Taco Bike. The show, Golems & New Work, features a wide selection of works–one wall features his “golem” figures, a series of ceramic puppets, while another showcases his 3-D, multi-surface graphic pieces. The show is up until next Saturday. Highly recommended. More info here.

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Fresh off a strong sophomore effort, TDE's sleeper pick hits the road at the height of his powers



It’s hard to not be rooting for Ab-Soul out here. Legally blind, and a distant third in the TDE industry popularity contest after Q and Kendrick, Ab is a prototypical underdog. But three albums in, Soulo isn’t exactly a slouch in that department, earning a dedicated following for taking the TDE sound–that fine balance between gauzy, heavy-filtered atmospherics, deep soul boom bap, and contemporary slap–in his own direction. In 2012, a few months before the good kid hysteria, Control System came as a pleasant surprise, a statement record that ran the gamut from syrupy digital funk to revolutionary war cries without missing a a beat.

His latest, These Days–despite the weird Jesus theme–is just as impressive, going deeper into the same vein behind vintage TDE production that somehow manages to feel both zonked the fuck out and razor sharp at the same time, pretty much all the time. For a dude who pops back and forth between “Twact”-type turnups to full on jazz fusion freakouts, that versatility is key, and once again, These Days puts that full range of talents on display.

More recently, Ab-Soul’s been hitting the road in support of all that new material, and naturally, he’s got major dates coming up in LA and the Bay. For the immediate future, LA heads can catch his show Tuesday at the Fonda. Keep an eye on our social channels over the next few days, in case some tickets just so happen to fall into our hands. Or keep it safe, and cop here.

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From post-hyphy to champagne soul, Trackademicks breaks down his musical journey so far

Photography by Vasha

I sat near the front door of the Farley’s East cafe in Downtown Oakland, where I would be meeting Trackademicks. I looked over some notes, thought about the history of the Honor Roll crew and realized our conversation would be expansive and diverse. Looking back on it now, that only makes sense–the man I was about to interview has had a hand in several of the Bay’s sonic movements. From hyphy to HBK, from Livewire to Champagne Soul, Trackademicks’ production credits read like a who’s who of Bay Area hip-hop.

Since his early introduction to the scene through community staple Youth Radio, Trackademicks–born Jason Valerio–has built up a reputation on eclecticism and organic growth, collaborating with a wide range of folks and touching down all over the sonic map. These days, he and the Honor Roll crew are coming off some of their most exciting work yet, popping up on festival bills, and getting ready to take their live show on the road. In our conversation, I got a chance to check in with Track abut where he’s been and where he’s headed next.

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Madrid's Carmen Fernandez Sanz keeps it fresh with her ongoing pattern collection


It’s never been so pleasant to fall down the rabbit hole than when you come across a dope artist on the internet. It’s so affirming isn’t it? My take is that there’s always been incredible artists since the beginning of time, but only until the advent of the internet have we been able to access the work of so many. It’s a beautiful thing, especially when considering the work of Carmen Fernandez Sanz. Based in Madrid, Spain, Carmen’s vibrant pattern work is captivating and timeless. Transitioning from a career in fashion design to surface pattern design, today Carmen’s work is available on everything from coffee mugs to shower curtains. Consider the following an introduction, but we’re pretty sure this isn’t the last you’ll be seeing from Carmen within these pages.

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Icelandic's latest folk export makes his U.S. debut


Iceland isn’t quite the first place we’d think to look when searching for new music. But not one’s too limit our scope, when Asgeir’s latest album came across our table, we gave it a look. Known loosely as melodic folk, Asgeir’s sound is best to wake up to, or something to listen to while you read the newspaper. When “King & Cross”–a groovy jam accompanied by a Lord of the Rings-esque video–dropped last year, it marked a significant peak in the young artist’s career.

Though he’s just breaking through in the states, the 22 year-old is already Iceland’s best selling artist over the last few years, with sales that represent roughly a tenth of the entire country’s population. Covering memorable names from Milky Chance to Nirvana, Asgeir’s sound continues to evolve as his global audience grows. Asgeir is coming to California this week, with shows at the El Rey and the Treasure Island Music Festival. Catch him there this weekend.

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