Stones Throw's unconventional journey gets the doc treatment in "Our Vinyl Weighs a Ton"
From the opening minutes of Our Vinyl Weighs a Ton, a specific portrait of Stones Throw already starts to emerge. A-Trak talks about how Peanut Butter Wolf’s “quirks” have shaped the label’s sensibilities. ?uestlove gushes about the label’s tradition of “cultivating the underground” and “embracing the unembraced.” If you had teenage backpack days like mine, it’s likely you remember a time when an understanding of that trademark weirdness–pitched up, nasally vocals on Lord Quas records, Jeff Jank‘s shroomy cartoons, or the jump-cut masterpieces that make up Donuts–was its own kind of social currency.
For a kid like me, who spent hours flipping through Mass Appeals and lifting fan-made Pete Rock compilations off lightweight embarrassing rap forums, this was it. That shit. If you knew about it, you knew about it. The humor and originality that colored those early releases separated it from an ocean of forgettable, golden-era-fetishist backpack shit by a mile. It was all in the approach, and it all had this air of mystery around it. It was the kind of stuff you just kinda had to seek out.
A few hundred miles south, around the same time, Jeff Broadway was soaking up those same albums firsthand in his dorm room at USC. A little less than a decade later, after film school and few forays into documentary filmmaking landed him briefly on the festival circuit, Jeff followed his curiosity all the way to Wolf’s doorstep, and found himself with the opportunity to tell a story.