Ladies and gentlemen, FEELS II is in the books. Much love and many thanks to all the folks involved in bringing our first art and music festival to reality. Bringing together a host of musical artists, from Kool A.D., Teebs and Kreayshawn, to visual artists like Ryan Rocha, Bud Snow and more, FEELS II was one to remember.

Category Archives: Art


FKA twigs collaborates with Kahlil Joseph for some new visuals

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With photos from the Pendulum video set circulating online, FKA twigs surprises with a video for a different song off her first full length album LP1. The Kahlil Joseph directed Video Girl is the latest addition to twigs’ bountiful and stunning archive of music videos. The striking video features costumes, headgear and hair styles to feast at as well as muted interjections from a bloody-mouthed Travi$ Scott. Like the song lyrics, the visual story of Video Girl sees twigs shedding her identity as a music video dancer while stepping into herself as an vocal artist. The video begins with the first track from her album, Preface, setting the scene of the execution of a man in prison. In Preface, twigs repeats “I love another, and thus I hate myself”. In an interview, she explains the line resonates with her frustrations of learning and failing at perfecting her new and beloved art form as a musician. As Video Girl continues, she cries from behind the glass as she watches a man be given lethal injection while inside the chamber, a second twigs dances diligently and deliberately then disappears along with the man’s life.

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A look inside Castlemont High School's Football team and the coach looking to transform it from within

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Oakland breeds heroes. Something tells me it’s been like that since the beginning. People just move with purpose out here. Maybe it’s in the air. The most recent independent film that’s come across our table focuses an eye on East Oakland, and more specifically Castlemont High. A short documentary that expresses the bond between sports and community, A Coach in The Kill Zone sheds an unwavering glimpse into the life of Edward Washington, the newly enlisted football coach at Oakland’s Castlemont High School.

With three years having passed since the Knight’s last win, at the ripe age of 25, Ed’s challenge is to turn the program around in the face of immense obstacles on and off the field.

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The dynamic Downtown art space welcomes a multimedia vet

Todd Barricklow

Over the last year or so, the good folks at Naming Gallery have quietly been doing some of the most consistently great curation in Oakland. Nestled in the heart of 15th Street’s lively Second Saturday strip, the gallery has hosted a rotation of artists and live music events, leaning toward cartoony and surreal visuals and imaginative, playful sensibilities.

Earlier this month, Naming opened up a solo show from the Santa Rosa-based Todd Barricklow, whose many talents include ceramics, printmaking, and metalworking, among others. Barricklow, a veteran of the local art scene, has a CV that includes everything from Peninsula galleries, to group shows in Japan, to the design of Tamarindo’s ubiquitous El Taco Bike. The show, Golems & New Work, features a wide selection of works–one wall features his “golem” figures, a series of ceramic puppets, while another showcases his 3-D, multi-surface graphic pieces. The show is up until next Saturday. Highly recommended. More info here.

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Madrid's Carmen Fernandez Sanz keeps it fresh with her ongoing pattern collection


It’s never been so pleasant to fall down the rabbit hole than when you come across a dope artist on the internet. It’s so affirming isn’t it? My take is that there’s always been incredible artists since the beginning of time, but only until the advent of the internet have we been able to access the work of so many. It’s a beautiful thing, especially when considering the work of Carmen Fernandez Sanz. Based in Madrid, Spain, Carmen’s vibrant pattern work is captivating and timeless. Transitioning from a career in fashion design to surface pattern design, today Carmen’s work is available on everything from coffee mugs to shower curtains. Consider the following an introduction, but we’re pretty sure this isn’t the last you’ll be seeing from Carmen within these pages.

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The story of how Nas became Nas



“I wanted you to feel New York at night,” said Nas, when discussing the motives behind his canonical 1994 debut, Illmatic. Landing conveniently inside the walls of Oakland’s own New Parkway Theatre, One9 and Erik Parker’s documentary, aptly titled Time is Illmatic, is a unflinching glimpse into the upbringing of a hip-hop titan, and the making of a classic.

To me, Nas always seemed like this sort of ubiquitous yet somewhat inaccessible hip hop legend. Yet watching the documentary helped to unravel some of Nas’ pressing curiosities. As viewers, we’re brought into the Queensbridge of Nas’ youth, full of the vibrancy and vices that make the neighborhood what it is. In the midst of this beautiful chaos came Nas, hailed as one of QB’s nicest pretty much from the jump.

When his surrounding school system failed him, Nas found himself at a crossroads. To stay in school and continue on a pointless mission, or to follow his passion for creating music. When his father–jazz trumpeter Olu Dara–told him, “Quit school, develop your craft, and I’ll support you,” Nas’ destiny was sealed. What transpired was a rise of epic proportions. And one that we still have the privilege to watch evolve today.

Peep the trailer below and catch Time is Illmatic at select screenings at the Parkway over the next week, and learn more about the film here.

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Shooters Kris Kirk and Madison East on making art together, and an unlikely EDC oddyssey


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As a shooter, it seems like there’s a lot to be gained from wandering out your comfort zone. Unfamiliar places tend to heighten your senses and let you pick up on new things, often when you’re not coming into a place looking for anything in particular. For Kris Kirk and Madison East, that meant venturing out from Silverlake and East L.A. into the gigantic, neon-drenched, seratonin-sprinkled clusterfuck known as the Electric Daisy Carnival to soak up the scene. The resulting collab zine, Meet Us Under the Electric Sky is, like the festival itself, an exercise in visual stimulation. Madison and Kris both bring a certain eye for detail to the project, picking out distinctive characters and scenery out of a sea of sights and sounds vying for visual attention.

Fortunately, Electric Sky is just the tip of the iceberg for both Kris and Madison, so shouts out to the Bay’s own Nighted for putting me onto yet another pair of dope photographers. In addition to photo work, Madison has carved out her own aesthetic through collage and mixed-media pieces, while Kris has made a practice out spontaneity, turning late nights in the East L.A. punk scene into a continuous stream of Tumblr consciousness. Thankfully, Nick put me in touch with Kris and Madison, and let me pick their brains a bit about everything from bad acid trips, to drinking pee, to brostep. Now here comes the drop.

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Enter into the colorful, nostalgic world of Michelle Guintu



We came across Michelle Guintu going down the rabbit hole, the internet making everything so accessible. Praise be to the internet, where you can meet a lover, get a job, or find your new favorite artist. In the latter section is where we find Michelle Guintu. An East Bay raised, SF-residing visual artist, Michelle’s most recent exhibition came together in the formation of Hype Nation, a group show curated by RVCA and the VASF Gallery this summer.

When I touched base with Michelle she was in transition, having recently wrapped up her latest show, and looking forward to her second solo show in L.A. this December. With a vibrant and playful aesthetic, much of Michelle’s recent work depicts a whimsical 90’s hip hop utopia, where TLC is reunited, and Biggie, Pac and Janet Jackson go on picnics. Amidst it all, we see a sharp attention to detail that makes Michelle’s work unique. In between creations, we spoke with Michelle about how she developed her aesthetic, her early memories creating, and her love for R. Kelly.

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Oakland's realest arts collective returns with a two-part group photo show and zine


I don’t think I’m alone in saying the last Flavourhood show was one of the dopest events I’ve ever been to. Buried deep under Korean BBQ hotspot Gogi Time was a group show for the ages, spread across different disciplines, but curated with care by Japheth, Ben, Ruth, and the FH team. Seen 2, the East Bay art collective’s latest project, opens up on Friday in Berkeley, and narrows the focus a little, so to speak.

Seen 2, as the title hints at, is a two-part group photography show, highlighting the work of 18 of the Bay’s finest shooters, including many friends of the Bowties, and even our very own [Dispo] Max Gibson. Also on the bill: FH’s Japheth Gonzalez, Kristian Contreras, Lauren Crew, and OnTask affiliate Valentin Saqueton. All that talent will be split up across consecutive Fridays, with the debut on Friday, and part two a week later on the 26th.

Aside from the art on the walls, Seen 2 will also provide the platform to launch Flavourhood’s latest publication, a 48-page collaborative zine with work from a handful of the folks in the show. Below, we have a few rare excerpts, but Friday, you’ll get a chance to delve a little deeper. Come find us there. Show opens at 6.

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An intimate conversation with Elaine Brown over The Black Power Mixtape

Photo by Jasmin Porter

As Elaine spoke, I tried not to blink. My eyes, welled up with water were about to burst and I didn’t want her to see a tear stream down my face in the middle of a Q&A. “What the hell you cryin, for?” She’d probably ask. The moment was real, and I felt it. But I wasn’t the only one.

On Thursday night we partnered with our friends at Oakland Surf Club to present a screening of The Black Power Mixtape. After some brief technical difficulties, we screened the film to a beautiful audience of artists, creatives and thinkers. The room was so thick that people were standing, it was a squeeze to even find a place to be. A few moments before the film, we were blessed by Elaine Brown, the former Chair of the Black Panthers and still an activist at heart. With her dynamic voice, loaded with purpose she spoke to us about the 1960’s, contextualizing the film through a searing history lesson of race relations in Oakland and abroad.



We chat with mixed-media artist Austin Willis as he preps his debut art exhibition in Oakland

Photo by Goose

Perhaps we weren’t the only ones left with a raised eyebrow and our curiosity piqued when we heard mixed-media artist Austin Willis announce his first art show. It’s a smart move, considering Oakland’s current renaissance and the ground level ingenuity, which leaves plenty of room for collaboration. Specializing in graphic design and digital illustration, at the ripe age of 20, the self-taught artist has recently enrolled in San Francisco’s Academy of Art University to sharpen his skills. From digital design pieces laced with crisp patterns, to custom kicks, to album art, Austin’s already begun building up a solid body of work that’s both playful and distinctive. On the cusp of his first solo show, we took a moment to chat with Austin about his inspirations, influences, and what we can expect from his upcoming debut at Downtown Oakland’s Massive on Friday.

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We're back at Oakland Surf Club this Thursday for our documentary screening

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We’re juiced to announce our return to Oakland Surf Club this Thursday with the return of our documentary film screenings. This month we’ll be screening Göran Olsson’s Black Power Mixtape, the Civil Rights film that examines the evolution of the Black Power Movement in American society from 1967 to 1975. Shot by a group of Swedish journalists documenting the Black Power Movement, the footage (discovered some 30 years later in the cellar of Swedish Television) portrays the reality of race relations in America at that time.

For folks around our age and beyond, we hope the film offers some context to understand race relations today, and also inspires folks to harness their own passions and creativity. This screening is FREE99, and we’ll have some complimentary beverages and popcorn available as well. Looking forward to this one, see you all soon!

What: Black Power Mixtape
When: 7PM, Thursday, September 4th 2014
Where: Oakland Surf Club (337 14th Street, Oakland)
Details: Free Admission, Bring a Friend

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Introducing the vibrant and varied work of Scott La Rockwell



As he describes it, Scott La Rockwell’s company Rockwell Creative is a one stop shop. The photographer slash illustrator doesn’t make me choose between desktop image-friendly imagery and scenes captured “in the streets” … and that’s a beautiful thing.

Rockwell’s body of work ranges from vector illustrations to concert photos. Even looked at in fragments, his work (each sliver and slice of it) can stand proudly on its own merit. Examining it all together leaves me with a very real impression that Rockwell Creative has a lot of its bases covered.

Scenic shots, shown together on Rockwell’s website under the label ‘Places,’ bring me to the places where they’ve been shot. The images are at once dark and bold and contemplative but the other sensory details are especially striking. I can faintly hear the soft, repetitive murmur of cold, ocean water reaching rocky shores. I suddenly remember the droning hum of crickets under a sherbet-colored sky at dusk..



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Then, we find ourselves, “In the Streets.” The fighting, the American muscle car riding at dusk, the glow of fireworks exploding overhead… images that more so bring us to a moment in time as opposed to scenic views and vistas. Intimate images that feel borrowed or maybe like part of a conversation I wasn’t supposed to be a part of…

That leaves us with Rockwell’s vector work. ‘Sharp and ‘energetic’ are the first words that come to mind.

A one stop shop, indeed – whether it be for his illustrations, his photography, his cinematography, his whatever-ography, Rockwell has, at the very least, earned an inquisitive eye.


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Keep up with more of Scott La Rockwell’s work at his personal site Rockwell Forever
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